Below is a list of select scholarly articles and essays. You can download them as PDFs by clicking on the title.
“Painting Prophecy: Mapping a Polyphonic Chicana Codex Tradition in the Twenty-First Century” (with Ella Maria Diaz). English Language Notes 57, no. 2 (2019): 22-42.
“Addressing Diversity and Inclusion in Latin American and Latinx Art History” (with Elena FitzPatrick Sifford), a co-edited “Dialogues” (including a co-authored introduction and essays by Beatriz Balanta, Kency Cornejo, Arlene Dávila, Emmanuel Ortega, Rose Salseda, and Lawrence Waldron), Latin American and Latinx Visual Culture 1, no. 3 (2019): 60-100. Additional essays can be found at https://lalvc.ucpress.edu/content/1/3
Forging a Popular Art History: Indigenismo and the Art of Colonial Peru. RES: Anthropology and Aesthetics, 2017.
Decolonizing the Global Renaissance: A View from the Andes, in The Globalization of Renaissance Art: A Critical Review, edited by Daniel Savoy. Leiden: Brill, 2017. ** Received Association for Latin American Art (ALAA) Award for Best Article or Essay Published in Latin American Art History in 2017-2018.**
Making Race Visible in the Colonial Andes, in Envisioning Others: Race, Color, and the Visual in Iberia and Latin America. ed. Pamela Patton, 187-212. Leiden: Brill, 2015.
From the Jordan River to Lake Titicaca: Images of the Baptism of Christ in Colonial Andean Churches. The Americas, no. 1 (2015): 103-140.
Las pinturas murales de la Iglesia de San Pablo de Cacha, Canchis, Perú. Allpanchis XI.II, no. 77-78 (2014): 11-48.
Painting Andean Liminalities at the Church of Andahuaylillas. Colonial Latin American Review 22, no. 3 (2013): 369-399 **Awarded Honorable Mention for the Franklin Pease G.Y. Memorial Prize for the best article to appear in Colonial Latin American Review in the past two years (2013-14).**
Pintando liminalidades andinas en la iglesia de Andahuaylillas, Cuzco, Perú. (traducción al español).